The Artists of Pergamum
The Artists of Pergamum
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Ep. Mitth. , IV, p. 22 sq. F t References marked * have been taken second-hand, as these works were not accessible to me.
3 Chrestomathia Pliniana (Berlin, 1857), p. 331, note.
4 Op. Cit. , p. 66, note 2; cf. Petersen, Arch. Zeit. , 1854, p. 187.
22 THE ARTISTS OF PEEGAMUM.
is the accusative plural of oveon/r and refers to dancing satyrs, the work of both Simon and Stratonicus. Ha- bich supports his theory by appeal to a Munich vase, on which 2KOFA is inscribed above a satyr; 1 but Miss Sellers... 2 thinks the fact that the next satyr bears the inscription TBPI2 shows that this is no generic term, but merely an epithet applied to one particular satyr. She regards uterque as a very ancient corruption which conceals the name of a work of art by Scopas. Ger- hard 3 would read copas, and Preller 4 agrees with this. Urlichs 5 suggests scyphos. It is impossible to say whether or not some sort of dancing figure or figures are to be ascribed to Stratonicus, as these emendations suggest.
(2) Some work or works in honor of the victories of the kings of Pergamum over the Gauls, or some part in such work or works.
What to read after The Artists of Pergamum?
You can find similar books in the "Read Also" column, or choose other free books by Henrietta Josephine Meeteer to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Ep. Mitth. , IV, p. 22 sq. F t References marked * have been taken second-hand, as these works were not accessible to me.
3 Chrestomathia Pliniana (Berlin, 1857), p. 331, note.
4 Op. Cit. , p. 66, note 2; cf. Petersen, Arch. Zeit. , 1854, p. 187.
22 THE ARTISTS OF PEEGAMUM.
is the accusative plural of oveon/r and refers to dancing satyrs, the work of both Simon and Stratonicus. Ha- bich supports his theory by appeal to a Munich vase, on which 2KOFA is inscribed above a satyr; 1 but Miss Sellers... 2 thinks the fact that the next satyr bears the inscription TBPI2 shows that this is no generic term, but merely an epithet applied to one particular satyr. She regards uterque as a very ancient corruption which conceals the name of a work of art by Scopas. Ger- hard 3 would read copas, and Preller 4 agrees with this. Urlichs 5 suggests scyphos. It is impossible to say whether or not some sort of dancing figure or figures are to be ascribed to Stratonicus, as these emendations suggest.
(2) Some work or works in honor of the victories of the kings of Pergamum over the Gauls, or some part in such work or works.
What to read after The Artists of Pergamum?
You can find similar books in the "Read Also" column, or choose other free books by Henrietta Josephine Meeteer to read onlineMoreLess
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