The Artist's Point of View, Embraced in a Series of Letters On Landscape Painting And Kindred Topics

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The writer is aware that the repetition of such obvious truths must seem absurd; but [49] THE ARTIST'S from personal observation it has been im- pressed on me that as long as railway tracks, despite all warnings, continue to reap their harvest of victims, because deaf persons will persist in going out of their way to walk upon them; and as long as supposedly strong-minded individuals are daily com- mitting indiscretions and falling by the wayside — "to err is human" — and this must constitute m
...y apology for an excess of solic- itude. It would perhaps be just as well at first not to attempt grand or brilliant sky effects. Striving to depict the interminable scale of changes in the heavens, ranging from perfect tranquillity to the most amazing exhibitions of exaggerated turbulence, will, when essayed separately, afford you enough to do without trying to study these and the landscape simultaneously. In sketching paint the sky rather simple and quiet, but avoid smooth, fiat, meaningless coats of paint.

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