The Attitude of Goethe And Schiller Toward French Classic Drama
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Oeuvres, ed. Marty-Laveaux, 1, 77iF. Racine, Introductions to Bajazet and Mithridate. Oeuvres, ed.
Rggnier, 2, 488f and 3, 16.
'Vom Erhabenen; 1793; G., 10, 173f.
41 Titsworth power of the highest type of tragedy.* The sufferings of the tragic hero, their causes and degree must be given not by narration but by action.^ Otherwise the play becomes simply a "five-act conversation." Schiller demands that the hero must not only suffer keenly but that he must be allowed to give full expression to wha...t he feels, in order that the moral victory of his better self may be the more glorious. If the sharpness of the struggle be softened, it is impossible to tell whether he acts from deep moral conviction or not. "Dies leztere ist der Fall bei dem Trauerspiel der ehemaligen Fran- zosen, wo wir hochst selten oder nie die leidende Natur zu Gesicht bekommen, sondern meistens nur den kalten, dekla- matorischen Poeten oder auch den auf Stelzen gehenden Komodianten sehen. "^ Third. Demand for drawing-room manners on the stage.
What to read after The Attitude of Goethe And Schiller Toward French Classic Drama?
You can find similar books in the "Read Also" column, or choose other free books by Paul Emerson Titsworth to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Oeuvres, ed. Marty-Laveaux, 1, 77iF. Racine, Introductions to Bajazet and Mithridate. Oeuvres, ed.
Rggnier, 2, 488f and 3, 16.
'Vom Erhabenen; 1793; G., 10, 173f.
41 Titsworth power of the highest type of tragedy.* The sufferings of the tragic hero, their causes and degree must be given not by narration but by action.^ Otherwise the play becomes simply a "five-act conversation." Schiller demands that the hero must not only suffer keenly but that he must be allowed to give full expression to wha...t he feels, in order that the moral victory of his better self may be the more glorious. If the sharpness of the struggle be softened, it is impossible to tell whether he acts from deep moral conviction or not. "Dies leztere ist der Fall bei dem Trauerspiel der ehemaligen Fran- zosen, wo wir hochst selten oder nie die leidende Natur zu Gesicht bekommen, sondern meistens nur den kalten, dekla- matorischen Poeten oder auch den auf Stelzen gehenden Komodianten sehen. "^ Third. Demand for drawing-room manners on the stage.
What to read after The Attitude of Goethe And Schiller Toward French Classic Drama?
You can find similar books in the "Read Also" column, or choose other free books by Paul Emerson Titsworth to read onlineMoreLess
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