The British School of Etching Being a Lecture Delivered to the Print Collectors
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Macbeth-Raeburn. If he had not devoted his time and talent to the interpretation of pictures by other artists, he would have done fine original work. Elizabeth Armstrong, afterwards Mrs. Stanhope Forbes, who died in 1912, was another early member, exhibiting first in 1883, but in her case etching was soon abandoned for painting. Had her etched work such as " Good Morning " been produced in the last dozen years, I think she would have met with far wider appreciation than the limited number of he...r prints in existence can ever ensure. Edward Synge (1860-1913) I would mention for one or two graceful prints, and we may honour Luke Taylor (1876-1916) and Alick Horsnell (1882-1916), not only for their work, but because they laid down their lives in the Great War.
25 As I have said, it would be invidious for me to select, to summarise, or to criticise the work of living members of our Society, but in dealing with the history of British etching, we must be catholic enough to recognise that there are great etchers who not through our fault stand apart from our Society.
What to read after The British School of Etching Being a Lecture Delivered to the Print Collectors?
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To quickly assess the difficulty of the text, read a short excerpt:
Macbeth-Raeburn. If he had not devoted his time and talent to the interpretation of pictures by other artists, he would have done fine original work. Elizabeth Armstrong, afterwards Mrs. Stanhope Forbes, who died in 1912, was another early member, exhibiting first in 1883, but in her case etching was soon abandoned for painting. Had her etched work such as " Good Morning " been produced in the last dozen years, I think she would have met with far wider appreciation than the limited number of he...r prints in existence can ever ensure. Edward Synge (1860-1913) I would mention for one or two graceful prints, and we may honour Luke Taylor (1876-1916) and Alick Horsnell (1882-1916), not only for their work, but because they laid down their lives in the Great War.
25 As I have said, it would be invidious for me to select, to summarise, or to criticise the work of living members of our Society, but in dealing with the history of British etching, we must be catholic enough to recognise that there are great etchers who not through our fault stand apart from our Society.
What to read after The British School of Etching Being a Lecture Delivered to the Print Collectors?
You can find similar books in the "Read Also" column, or choose other free books by Martin Hardie to read onlineMoreLess
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