The Cambridge History of American Literature volume 3
The Cambridge History of American Literature volume 3
Knickerbocker Press 1921 Bkp Cu Banc
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And, even with its ex crescences of bad taste, Louis K. Anspacher s The Unchastened Woman (9 October, 1915) possessed marked distinction of characterization. In the sphere of simple human comedy, Winchell Smith s The Fortune Hunter (4 September, 1909) and Tricks and Farces 295 J. Hartley Manners s Peg 6* My Heart (Cort Theatre, 20 De cember, 1912), are typical; while Elmer Reizenstein s On Trial (31 August, 1914), with its "cut back" scenes, showed the direct influence of moving-picture techniq...ue on dramatic writ ing. There are hosts of American farces, true to type, racy with American foibles, like Rupert Hughes s Excuse Me (Gaiety Theatre, 13 February, 1911), Roi Cooper Megrue s It Pays to Advertise (Cohan Theatre, 8 September, 1914), Augustin Mc- Hugh s Officer 666 (Gaiety Theatre, 12 August, 1912), Avery Hop wood and Mary Roberts Rinehart s Seven Days (Astor Theatre, 10 November, 1909). One may point to Rachel Crothers s The Three of Us (17 October, 1906) and A Man s World (8 February, 1910) and say she is example of how a woman, anxious to show unity of pur pose in her work, has been forced later into catering to popular demand.
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