The Cemetery of Pachyammos, Crete 7, no. 1
The Cemetery of Pachyammos, Crete 7, no. 1
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(Vasiliki, Trans., Vol. II, Part 2, PI. XXX.) In these primitive examples the design is treated in a stifle, lifeless manner and there is no trace of the naturalism which we find later on. One is at once struck by the marked resemblance which the design on this jar bears ^ to the well-known dolphin fresco from Knossos. This fresco is reproduced in Plate XV owing to the kindness of Sir Arthur Evans^ who has allowed me to make use of it, although he has not yet published- it himself. From various... evidence he assigns it to the M. M. Ill period to which our burial jar belongs. The similarities are striking, particularly in the treatment of the dolphins, which in both cases show the same horizontal wavy lines running along their sides and encircling the eyes.
It is clear that the maker of the Pachyammos jar was familiar with the great frescoes which covered the walls of the Minoan palaces in the M. M. Ill age, and that he attempted to reproduce them as nearly as possible on his clay pots. He made his mistake in not trying to modify and adapt the fresco painter's designs to suit the medium in which he was working, a thing which the L.
What to read after The Cemetery of Pachyammos, Crete 7, no. 1?
You can find similar books in the "Read Also" column, or choose other free books by Richard B Seager to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
(Vasiliki, Trans., Vol. II, Part 2, PI. XXX.) In these primitive examples the design is treated in a stifle, lifeless manner and there is no trace of the naturalism which we find later on. One is at once struck by the marked resemblance which the design on this jar bears ^ to the well-known dolphin fresco from Knossos. This fresco is reproduced in Plate XV owing to the kindness of Sir Arthur Evans^ who has allowed me to make use of it, although he has not yet published- it himself. From various... evidence he assigns it to the M. M. Ill period to which our burial jar belongs. The similarities are striking, particularly in the treatment of the dolphins, which in both cases show the same horizontal wavy lines running along their sides and encircling the eyes.
It is clear that the maker of the Pachyammos jar was familiar with the great frescoes which covered the walls of the Minoan palaces in the M. M. Ill age, and that he attempted to reproduce them as nearly as possible on his clay pots. He made his mistake in not trying to modify and adapt the fresco painter's designs to suit the medium in which he was working, a thing which the L.
What to read after The Cemetery of Pachyammos, Crete 7, no. 1?
You can find similar books in the "Read Also" column, or choose other free books by Richard B Seager to read onlineMoreLess
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