The Committee for Arts And Lectures 1945 1980 Oral History Transcript the C

Cover The Committee for Arts And Lectures 1945 1980 Oral History Transcript the C
The Committee for Arts And Lectures 1945 1980 Oral History Transcript the C
Betty Connors
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Rowland: Because when you plan on an artist coming, there s a lot of paperwork and publicity, but then they come in the flesh. They do something that s very beautiful, and then you actually get to meet them afterwards. I always thought that was so exciting.
Connors: We always worried about whether they want to go to somebody s house and have a real reception because they were still on show then. And that s hard. There s not the chance to let down their hair and relax a bit. In fact, I remember
...one musician--! think it was Gould- -who complained bitterly one time because some faculty member came up to him after a concert and asked, "Now, why did you play that like that? Didn t you know if you used the bow this way it would be different?" He was furious afterwards. He said, "Get that guy out of here!" There were no faculty men that I would dare say, "Get out of here, " to. I did try to get them to talk about something else, I remember.
Rowland: Well, you can t be responsible for those things.


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