The Complete Opera book the Stories of the Operas Together With 400 of the Lea
The Complete Opera book the Stories of the Operas Together With 400 of the Lea
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In our eReader you can find the full English version of the book. Read The Complete Opera book the Stories of the Operas Together With 400 of the Lea Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Complete Opera book the Stories of the Operas Together With 400 of the Lea
What reading level is The Complete Opera book the Stories of the Operas Together With 400 of the Lea book?
To quickly assess the difficulty of the text, read a short excerpt:
One reason is that, in the lay-out of the libretto the authors deliberately sought to furnish Gounod with another "Faust, " and so challenged comparison. Even StepJiano, a character of their creation, was intended to give the same balance to the cast that Siebel does to that of "Faust. " In a performance of Shakespeare's play it is possible to act the scene of parting without making it too much the duplication" of the balcony scene, which it appears to be in the opera. The "balcony scene" is an... obvious attempt to create another "garden scene. " But in "Faust, " what would be the too long-drawn-out sweet- ness of too much love music is overcome, in the most natural manner, by the brilliant "Jewel Song, " and by Mephistopheles's sinister invocation of the flowers. In "Romeo et Juliette, " on the other hand, the interruption afforded by Gregory and the chorus is too artificial not to be merely disturbing.
It should be said again, however, that French audiences regard the work with far more favour than we do.
What to read after The Complete Opera book the Stories of the Operas Together With 400 of the Lea?
You can find similar books in the "Read Also" column, or choose other free books by Kobbé Gustav to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
One reason is that, in the lay-out of the libretto the authors deliberately sought to furnish Gounod with another "Faust, " and so challenged comparison. Even StepJiano, a character of their creation, was intended to give the same balance to the cast that Siebel does to that of "Faust. " In a performance of Shakespeare's play it is possible to act the scene of parting without making it too much the duplication" of the balcony scene, which it appears to be in the opera. The "balcony scene" is an... obvious attempt to create another "garden scene. " But in "Faust, " what would be the too long-drawn-out sweet- ness of too much love music is overcome, in the most natural manner, by the brilliant "Jewel Song, " and by Mephistopheles's sinister invocation of the flowers. In "Romeo et Juliette, " on the other hand, the interruption afforded by Gregory and the chorus is too artificial not to be merely disturbing.
It should be said again, however, that French audiences regard the work with far more favour than we do.
What to read after The Complete Opera book the Stories of the Operas Together With 400 of the Lea?
You can find similar books in the "Read Also" column, or choose other free books by Kobbé Gustav to read onlineMoreLess
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