The Correct Order of Fundamental Harmonies : a Treatise On Fundamental Basses, And Their Inversions And Substitutes
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To quickly assess the difficulty of the text, read a short excerpt:
: & K=iEyEi= &z -^f^=^ 3& i'uiul. F D F D (*) -*- C («) sr G \% ~-W: E£ f: -gyg- Fund. A D G Fund. E G JZ1 -f-- The plagal close (succession of the triads of the 4th and 1st degrees), heldom stands alone, being preceded most generally by the authentic close.
SECTION XXXIX.
The succession of the harmonies of the 4th, 5th and 1st degrees, and of the 2d, 5th and 1st degrees, as explained in the foregoing Section, invest the third of the 5th degree with an unmistakable tendency to resolve itself in...to the octave of the 1st degree, in consequence of which, it is called leading tone. This tendency of the leading tone forbids its duplication (as involving octaves or primes), and also its skipping away to any other tone, SECTION XL.
In contradistinction to the progression of the component tones of a chord simultaneously with the entrance of a new fundamental, it may hap- pen that one voice does not resolve, as expected, but continues as a foreign 54 THE CORRECT OR&ER OF tone in the new harmony, and resolves at a subsequent period.
What to read after The Correct Order of Fundamental Harmonies : a Treatise On Fundamental Basses, And Their Inversions And Substitutes?
You can find similar books in the "Read Also" column, or choose other free books by Sechter, Simon, 1788-1867 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
: & K=iEyEi= &z -^f^=^ 3& i'uiul. F D F D (*) -*- C («) sr G \% ~-W: E£ f: -gyg- Fund. A D G Fund. E G JZ1 -f-- The plagal close (succession of the triads of the 4th and 1st degrees), heldom stands alone, being preceded most generally by the authentic close.
SECTION XXXIX.
The succession of the harmonies of the 4th, 5th and 1st degrees, and of the 2d, 5th and 1st degrees, as explained in the foregoing Section, invest the third of the 5th degree with an unmistakable tendency to resolve itself in...to the octave of the 1st degree, in consequence of which, it is called leading tone. This tendency of the leading tone forbids its duplication (as involving octaves or primes), and also its skipping away to any other tone, SECTION XL.
In contradistinction to the progression of the component tones of a chord simultaneously with the entrance of a new fundamental, it may hap- pen that one voice does not resolve, as expected, but continues as a foreign 54 THE CORRECT OR&ER OF tone in the new harmony, and resolves at a subsequent period.
What to read after The Correct Order of Fundamental Harmonies : a Treatise On Fundamental Basses, And Their Inversions And Substitutes?
You can find similar books in the "Read Also" column, or choose other free books by Sechter, Simon, 1788-1867 to read onlineMoreLess
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