The Development of the Drama

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Indeed, he exercised himself in more different species of the drama than any other of the great dra- matists. Shakspere is versatile enough, with his histories and tragedies and romantic-comedies and farces. But Moliere is even more multifarious.
He attempted pure farce, the ' Medecin Malgre Lui ' ; the comedy-of-intrigue, the ' Etourdi ' ; the comedy-of-manners, the ' Ecole des Femmes'; the comedy-of-character, the ' Avare ' ; romantic- 2 55 THE DRAMA IN FRANCE comedy, the ' Amphitryon ' ; tra
...gi-comedy, ' Don Garcie ' ; comedy-ballet, ' Monsieur de Pour- ceaugnac ' ; criticism in dialog, the ' Critique de 1'Ecole des Femmes ' ; satiric interlude, the ' Im- promptu de Versailles ' ; legendary drama, ' Don Juan.' No one has ever handled comedy in its various aspects so brilliantly and so broadly as Moliere; and he has left us in the 'Femmes Sa- vantes ' the incomparable model of pure comedy at its highest and best, while he presented us also with the type of comedy sustained by phi- losophy in the 'Misanthrope,' of comedy gently relaxing into farce in the ' Bourgeois Gentil- homme,' and of comedy almost stiffening into drama in 'Tartuffe.' No one of Moliere's comedies is more charac- teristic than 'Tartuffe,' more liberal in its treat- ment of our common humanity, braver in its assault upon hypocrisy, or more masterly in its technic.

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