The Dutch School of Painting;
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In our eReader you can find the full English version of the book. Read The Dutch School of Painting; Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Dutch School of Painting;
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The works of Glauber, although notable for warm colouririg and extreme care, are far inferior to the works of Berghem, whilst Meyering is still less successful. As to Begeyn and Soolmaker, whose acknowledged works are very few in number (the Museum of Brussels possessing only one picture of each painter), nothing is known of their lives, and their cold talent and opaque colouring are not calcu- lated to raise a feeling of much regret at the obscurity in which their lives are hidden.
Karel du Ja...rdin, born, as we have already said, about 1625, died at Venice in 1678. It is stated that he also frequented the studio of Berchem,- but there is nothing to prove this, and we may add that, if he resembles that painter in the choice of his subjects and the brilliancy of his touch, he resembles Paul Potter almost as much by the care and truthfulness with which he represents animals. They are, in fact, more life-like, more varied in pose and bearing, and more faithfully rendered, than those of Berchem.
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To quickly assess the difficulty of the text, read a short excerpt:
The works of Glauber, although notable for warm colouririg and extreme care, are far inferior to the works of Berghem, whilst Meyering is still less successful. As to Begeyn and Soolmaker, whose acknowledged works are very few in number (the Museum of Brussels possessing only one picture of each painter), nothing is known of their lives, and their cold talent and opaque colouring are not calcu- lated to raise a feeling of much regret at the obscurity in which their lives are hidden.
Karel du Ja...rdin, born, as we have already said, about 1625, died at Venice in 1678. It is stated that he also frequented the studio of Berchem,- but there is nothing to prove this, and we may add that, if he resembles that painter in the choice of his subjects and the brilliancy of his touch, he resembles Paul Potter almost as much by the care and truthfulness with which he represents animals. They are, in fact, more life-like, more varied in pose and bearing, and more faithfully rendered, than those of Berchem.
What to read after The Dutch School of Painting;?
You can find similar books in the "Read Also" column, or choose other free books by Henry Havard to read onlineMoreLess
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