The Earlier French Musicians 1632 1834
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It appeared 9th April, 1791 (not long after the death of Grtoy's youngest daughter), and was a popular success, "breathing" (said the Journal de Paris), " hatred of oppression and love of liberty," Meantime the day of the Revolution had dawned. The theatres were closed one evening! ^y angry crowds because Necker was banished, then came the taking of the Bastille and ten days later the opera re-opened with benefit 1 12 July, 1789— Gr^try's Aspasie was to be performed at 5 p.m.
140 THE EARLIER FR...ENCH MUSICIANS performances (Panurge) " in aid of the workmen^ who had fought for Liberty and la Patrie " (21st, 26th and 29th July, 1789).- A couple of unsuccessful operas and a " Ro- mance of the Willow," written for the tragedy of Otello, bring Gr^try's works down to November, 1792. The Romance was very popular and was subsequently arranged for voice accompanied by guitar, harp or harpsichord, published by "citizen Gr^ry." In February of that year, however, the opera Richard Cceur de Lion had been forbidden, so was Pierre le Grand, and any theatre producing works " calculated to revive the superstition of royalty " was closed, " the directors to be punished with the utmost rigour of the law." In Gr6try's Memoirs he mentions an instance of the fanatical hatred of that " superstition." An unfortunate parrot had his neck wrung for singing "Richard, O mon roi," an air he had learnt in days when there was still a king in France.
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To quickly assess the difficulty of the text, read a short excerpt:
It appeared 9th April, 1791 (not long after the death of Grtoy's youngest daughter), and was a popular success, "breathing" (said the Journal de Paris), " hatred of oppression and love of liberty," Meantime the day of the Revolution had dawned. The theatres were closed one evening! ^y angry crowds because Necker was banished, then came the taking of the Bastille and ten days later the opera re-opened with benefit 1 12 July, 1789— Gr^try's Aspasie was to be performed at 5 p.m.
140 THE EARLIER FR...ENCH MUSICIANS performances (Panurge) " in aid of the workmen^ who had fought for Liberty and la Patrie " (21st, 26th and 29th July, 1789).- A couple of unsuccessful operas and a " Ro- mance of the Willow," written for the tragedy of Otello, bring Gr^try's works down to November, 1792. The Romance was very popular and was subsequently arranged for voice accompanied by guitar, harp or harpsichord, published by "citizen Gr^ry." In February of that year, however, the opera Richard Cceur de Lion had been forbidden, so was Pierre le Grand, and any theatre producing works " calculated to revive the superstition of royalty " was closed, " the directors to be punished with the utmost rigour of the law." In Gr6try's Memoirs he mentions an instance of the fanatical hatred of that " superstition." An unfortunate parrot had his neck wrung for singing "Richard, O mon roi," an air he had learnt in days when there was still a king in France.
What to read after The Earlier French Musicians 1632 1834?
You can find similar books in the "Read Also" column, or choose other free books by Mary Hargrave to read onlineMoreLess
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