The Eighteen Nineties a Review of Art And Ideas At the Close of the Nineteenth

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Younger writers realised the need of a suggestive note in literature. They agreed with Meredith that " the art of the pen is to rouse the inward vision, " and instead of labouring protracted descriptions they sought to " spring imagination with a word or a phrase. " Literature that had been exposite became apposite. Fine shades of meaning and niceties of observation slipped into swift revealing sentences, and for the first time temperament was studied as a thing in itself. The idea of Impressio...nism also dominated style, but the best writers end at intensity, suggestiveness, reality and, above all, brightness, rather than novelty, preferring to achieve this last as a by-product. They strove to create what was called " atmosphere, " leav- ing much to the intelligence of the reader, who, to do him justice, often proved himself worthy of the compliment. Such volumes of studies in Impressionism as George Egerton's Keynotes, G. S. Street's Episodes, Hubert Crackan- thorpe's Wreckage, George Fleming's Women's Tragedies, Henry Harland's Mademoiselle Miss and The Lady Para- mount, John Oliver Hobbes' Some Emotions and a Moral, Vincent O 'Sullivan's and to a lesser degree the studies of Ella d'Arcy and H.

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