The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book
The Factors of Shorthand Speed Or How to Become a Stenographic Expert a book
D Wolfe David Wolfe Brown
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The writer unconsciously clings to the notion, al- ready referred to, that the twirling of the pen "in the air" before it touches the paper "tak- ing a good aim, " as the writing master calls it aids in the shaping of the characters. Many writers who avoid the error of making a hand-lift instead of a pen-lift, lose time by lift- ing the pen too high. Let it be remembered that a mere breaking of the contact between 114 THE FACTORS OF SHORTHAND SPEED. pen and paper is all that is necessary, and "...whatsoever is more than this cometh of evil. " With some of the most rapid writers I know, the pen, except at the end of a line, can scarcely be seen to leave the paper, the lifting being often so slight as to show upon close examina- tion a faint track left by the pen or pencil upon the paper in passing from word to word or from phrase to phrase. This I have noticed particu- larly in the writing of those masterly stenog- raphers, Mr. Andrew Devine and Mr. Fred Ir- land. WASTEFUL SPACING. Another case of lost motion is when the hand, while passing from word to word, travels far- ther than it needs to do, and makes the inter- vening spaces too large.
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