The First Principles of Pianoforte Playing Being An Extract From the Authors
The First Principles of Pianoforte Playing Being An Extract From the Authors
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On Key- 5) : It follows, that Key-contact must never take Contact. 2 the form of a real blow, if we desire musical-accuracy.
1 For explanation of g 2 to 4, refer to Chapter XIII. , page 114. Explanation of g 5 to 7, found in Chapter XIV. , page 125. *V B. These references are always to u The Act of Touch. * 89 90 KEY-TREATMENT ; MUSCULAR ASPECT.
6) : Not only should we therefore reach the key-surface quite easily and lightly ; but we must also be most careful to remem- ber, that the required to...ne has to be made during' the ensuing short descending movement of the key. 1 7) : This light fall of the limb upon, and subsequent move- ment with the key, may either form an unbroken descent, or we may instead bring the finger into contact with the key before the moment its depression is due. But in either case TC must, before using the key, insist on feeling its resistance* 8) : Since careful Contact is so essential, and Touch since Tenuto and Legato further require the op- eration of a light resting Weight, and as we must nevertheless often apply much energy to the key in addition to this Resting to provoke the key into the necessary tone, it fol- lows that TOUCH consists of the combination of two muscular operations,
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To quickly assess the difficulty of the text, read a short excerpt:
On Key- 5) : It follows, that Key-contact must never take Contact. 2 the form of a real blow, if we desire musical-accuracy.
1 For explanation of g 2 to 4, refer to Chapter XIII. , page 114. Explanation of g 5 to 7, found in Chapter XIV. , page 125. *V B. These references are always to u The Act of Touch. * 89 90 KEY-TREATMENT ; MUSCULAR ASPECT.
6) : Not only should we therefore reach the key-surface quite easily and lightly ; but we must also be most careful to remem- ber, that the required to...ne has to be made during' the ensuing short descending movement of the key. 1 7) : This light fall of the limb upon, and subsequent move- ment with the key, may either form an unbroken descent, or we may instead bring the finger into contact with the key before the moment its depression is due. But in either case TC must, before using the key, insist on feeling its resistance* 8) : Since careful Contact is so essential, and Touch since Tenuto and Legato further require the op- eration of a light resting Weight, and as we must nevertheless often apply much energy to the key in addition to this Resting to provoke the key into the necessary tone, it fol- lows that TOUCH consists of the combination of two muscular operations,
What to read after The First Principles of Pianoforte Playing Being An Extract From the Authors?
You can find similar books in the "Read Also" column, or choose other free books by S2022the20act20of20touch2c2220designed20f to read online
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