The Flute And Flute-Playing in Acoustical, Technical, And Artistic Aspects
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In our eReader you can find the full English version of the book. Read The Flute And Flute-Playing in Acoustical, Technical, And Artistic Aspects Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Flute And Flute-Playing in Acoustical, Technical, And Artistic Aspects
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To quickly assess the difficulty of the text, read a short excerpt:
XV. THE METHOD OF PRACTICING Above all one should endeavor, at each time of beginning practicing, to secure a good embouchure, in the above described manner, for without a clear tone, nothing can be well and beautifully played. The tone is the voice without which one cannot even begin to sing.
When the embouchure has become good and certain, one should study the scales and chords in all the keys, for these are the foundation of all passages, and when one has once learned to play them with preci...se finger movements (which can be easily deter- mined by the ear) all the other tone figures will be quickly and easily disposed of.
As has been said, it is only a waste of time to repeat anything that can already be played without stumbling. Difficult finger movements, on the con- trary, must be gone over very slowly at first, so that in the slurred tone combinations no interpolated tones are audible, and no lack of purity is noticeable. Especially one must train the fingers to a perfectly smooth move- ment by the trill exercises, so that no one tone pre- dominates; and that no bleating or so-called "bocks- triller" is produced.
What to read after The Flute And Flute-Playing in Acoustical, Technical, And Artistic Aspects?
You can find similar books in the "Read Also" column, or choose other free books by Böhm, Theobald, 1794-1881 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
XV. THE METHOD OF PRACTICING Above all one should endeavor, at each time of beginning practicing, to secure a good embouchure, in the above described manner, for without a clear tone, nothing can be well and beautifully played. The tone is the voice without which one cannot even begin to sing.
When the embouchure has become good and certain, one should study the scales and chords in all the keys, for these are the foundation of all passages, and when one has once learned to play them with preci...se finger movements (which can be easily deter- mined by the ear) all the other tone figures will be quickly and easily disposed of.
As has been said, it is only a waste of time to repeat anything that can already be played without stumbling. Difficult finger movements, on the con- trary, must be gone over very slowly at first, so that in the slurred tone combinations no interpolated tones are audible, and no lack of purity is noticeable. Especially one must train the fingers to a perfectly smooth move- ment by the trill exercises, so that no one tone pre- dominates; and that no bleating or so-called "bocks- triller" is produced.
What to read after The Flute And Flute-Playing in Acoustical, Technical, And Artistic Aspects?
You can find similar books in the "Read Also" column, or choose other free books by Böhm, Theobald, 1794-1881 to read onlineMoreLess
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