The Foundations of Musical æsthetics; Or, the Elements of Music
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In our eReader you can find the full English version of the book. Read The Foundations of Musical æsthetics; Or, the Elements of Music Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Foundations of Musical æsthetics; Or, the Elements of Music
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# S However, even in the case of such a progres- sion as the last, harmonies not directly related can be forced into a kind of direct connection HARMONY 53 by the use of what may be called chord-fusion.
By this term is meant the simultaneous em- ployment of more than one simple chord. Such simple chords then blend into a more complex combination which may take on itself the char- acter and relationships of either of the original simple chords. Thus, the chord of G is the nearest relative to tha...t of C, while the chord of D is related only indirectly to that of C; if we fuse the chord of D with that of G we produce a complex dissonant combination which in virtue of the presence in it of the harmony of G is directly related to the har- mony of C : — $ 1 This fact of chord-fusion renders possible the logical use of any combination of the notes of the key. As the chief fact in the idea of Tonality is the implicit and explicit tendency to progress to the key-centre and as the direct progression to this key-centre takes place only from the Dominant harmony, such chord fu- sion is mostly carried out on the basis of Dominant harmony.
What to read after The Foundations of Musical æsthetics; Or, the Elements of Music?
You can find similar books in the "Read Also" column, or choose other free books by Mcewen, John B. (John Blackwood), 1868-1948 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
# S However, even in the case of such a progres- sion as the last, harmonies not directly related can be forced into a kind of direct connection HARMONY 53 by the use of what may be called chord-fusion.
By this term is meant the simultaneous em- ployment of more than one simple chord. Such simple chords then blend into a more complex combination which may take on itself the char- acter and relationships of either of the original simple chords. Thus, the chord of G is the nearest relative to tha...t of C, while the chord of D is related only indirectly to that of C; if we fuse the chord of D with that of G we produce a complex dissonant combination which in virtue of the presence in it of the harmony of G is directly related to the har- mony of C : — $ 1 This fact of chord-fusion renders possible the logical use of any combination of the notes of the key. As the chief fact in the idea of Tonality is the implicit and explicit tendency to progress to the key-centre and as the direct progression to this key-centre takes place only from the Dominant harmony, such chord fu- sion is mostly carried out on the basis of Dominant harmony.
What to read after The Foundations of Musical æsthetics; Or, the Elements of Music?
You can find similar books in the "Read Also" column, or choose other free books by Mcewen, John B. (John Blackwood), 1868-1948 to read onlineMoreLess
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