The Fundamentals of Photography
The Fundamentals of Photography
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In our eReader you can find the full English version of the book. Read The Fundamentals of Photography Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Fundamentals of Photography
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Similarly, one which lets through one- tenth of the light has a transparency of 1/10 and an opac- ity of 10.
If the negative is to be the exact in- verse of the scale of Pi g . Tones of the subject, Negative of Five Toned Block.
7 1 FUNDAMENTALS OF PHOTOGRAPHY then the opacities of the different areas must be in propor- tion to the brightnesses of the parts of the subject which produce them. In Fig. 67 we have a subject in which if we take the black background as having a brightness of 1, the b...rightest portion will have a brightness of 10, and the other portion will be in proportion. Then when we make a nega- tive of this we shall get the picture shown in Fig. 68, and in this, if we measure the opacities of the negative, we ought to find them exactly inverse to those of Fig. 67, so that the transparency of the background, A, would be ten times that of the table, B, or the opacity of the table, B, will be ten Fig. 69. Graded Strip of Exposures.
times that of the background, A. Not only this, but the relative opacity of the deposits in the areas C, D and E should also be the same as the brightnesses of C, D and E in the original subject.
What to read after The Fundamentals of Photography?
You can find similar books in the "Read Also" column, or choose other free books by C E Kenneth Charles Edward Kenneth Mees to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Similarly, one which lets through one- tenth of the light has a transparency of 1/10 and an opac- ity of 10.
If the negative is to be the exact in- verse of the scale of Pi g . Tones of the subject, Negative of Five Toned Block.
7 1 FUNDAMENTALS OF PHOTOGRAPHY then the opacities of the different areas must be in propor- tion to the brightnesses of the parts of the subject which produce them. In Fig. 67 we have a subject in which if we take the black background as having a brightness of 1, the b...rightest portion will have a brightness of 10, and the other portion will be in proportion. Then when we make a nega- tive of this we shall get the picture shown in Fig. 68, and in this, if we measure the opacities of the negative, we ought to find them exactly inverse to those of Fig. 67, so that the transparency of the background, A, would be ten times that of the table, B, or the opacity of the table, B, will be ten Fig. 69. Graded Strip of Exposures.
times that of the background, A. Not only this, but the relative opacity of the deposits in the areas C, D and E should also be the same as the brightnesses of C, D and E in the original subject.
What to read after The Fundamentals of Photography?
You can find similar books in the "Read Also" column, or choose other free books by C E Kenneth Charles Edward Kenneth Mees to read onlineMoreLess
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