The History of the English Paragraph
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Connective, Initial. Interior.
Yet I I Also I On the contrary . . I So I I Moreover Nevertheless Now then Thereupon Indeed i 5 Everyone knows that De Quincey had much to say about prose rhythm. His theory stands midway between a theory of rhythm in the period and a theory of rhythm in the paragraph as a whole. To his remarks about the cumulative effect of the rhythmus of succeeding clauses (quoted in our section on Lamb) may be added the following, in which the writer is thinking of melody, qui...te as much as of sequence in thought : " It is in the relation of sentences, in what Horace terms their 'juncfura,' that the true life of composition resides. The mode of their nexus — the way in which one sentence is made to arise out of another, and to prepare the opening for a third, — this is the great loom in which the textile process of the moving intellect reveals itself and prospers.'" Again, speaking of Kant's elephantine period : "Parts so remote as the beginning and end of such a sentence can have no sensible relation to each other : not much as regards their logic, but none at all as regards their more sensuous qualities, — rhythmus, for instance, or the continuity of meta- phor." = De Quincey himself exemplified his own theories of melody.
What to read after The History of the English Paragraph?
You can find similar books in the "Read Also" column, or choose other free books by Edwin Herbert Lewis to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Connective, Initial. Interior.
Yet I I Also I On the contrary . . I So I I Moreover Nevertheless Now then Thereupon Indeed i 5 Everyone knows that De Quincey had much to say about prose rhythm. His theory stands midway between a theory of rhythm in the period and a theory of rhythm in the paragraph as a whole. To his remarks about the cumulative effect of the rhythmus of succeeding clauses (quoted in our section on Lamb) may be added the following, in which the writer is thinking of melody, qui...te as much as of sequence in thought : " It is in the relation of sentences, in what Horace terms their 'juncfura,' that the true life of composition resides. The mode of their nexus — the way in which one sentence is made to arise out of another, and to prepare the opening for a third, — this is the great loom in which the textile process of the moving intellect reveals itself and prospers.'" Again, speaking of Kant's elephantine period : "Parts so remote as the beginning and end of such a sentence can have no sensible relation to each other : not much as regards their logic, but none at all as regards their more sensuous qualities, — rhythmus, for instance, or the continuity of meta- phor." = De Quincey himself exemplified his own theories of melody.
What to read after The History of the English Paragraph?
You can find similar books in the "Read Also" column, or choose other free books by Edwin Herbert Lewis to read onlineMoreLess
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