The History of the Violin And Other Instruments Played On With the Bow From the

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The printed label used by him previous to becoming a partner with Barak HISTORY OF THE VIOLIN. 2G1 Norman, may be supposed to infer that he was a pupil of Steiner (but this borders on the impossible), or that he adopted the characteristic style of that excellent foreign workman ; however it bears a fabulous number, as if the instruments he had made reached to so large a figure, the last figure being added in ink : " Nathanaeli Crosso Stainero fecit. No. 2417. " He lived in Aldermanbury, London,... and the instruments which have been seen, chiefly violoncellos, were very similar to those he made during his partnership with the previous maker ; they are small in size and squat, and are varnished of a light yellow colour, the vehicle or body varnish is considered to be made of one of the soft gums, mastic or sandarac dissolved in alcohol, which renders them of easy blemish and disfigurement by any slight scratch, similar to the defect observed in the orna- mental wood-work of Tonbridge Wells.

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