The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc
The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc
Goetschius, Percy, 1853-1943
The book The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc was written by author Goetschius, Percy, 1853-1943 Here you can read free online of The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc a good or bad book?
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One peculiarly instructive illustra- tion will suffice : Minvetto. 53. segne So THE EXTENSIONS AT THE END OF EITHER PHRASE. Par. 47. V J A Consequent. I 2 expanded (Ex. 41. ) HAYDN. 33 i ? lr i i *i) Correct perfect Cadence, omitted (or, more properly, suppressed) on account of the extension to follow. *2) " Intercepted " form of the perfect Cadence (comp. Ex. 32, note *4. It is expanded to two measures. *3) This, and the seven measures which follow, constitute a "new Cadence- member" (see par.... 29^/5 Ex. 42). See also: MENDELSSOHN, "Songs without Words", No. 23, meas. 1-9 from the first double-bar; compare carefully with meas. 25-10 from the end. Also No. 27, meas. 16-4 from the end (cited in Ex. 32-2); No. 31, meas. I-n (4-measure Period, repeated, and extended at its end); No. 38, meas. I-io. CHOPIN, Pfte. Concerto, e minor (op. N), Romance, meas. 13-22 (quaint repetition of 2nd half of Consequent Phrase). THE EXTENSIONS AT THE END OF EITHER PHRASE. Si 48. An extension at the end of the Antecedent Phrase will be, as intimated, a comparatively rare occurrence, owing to the danger it involves of severing the continuity of the two Phrases.
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