The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc
The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc
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One peculiarly instructive illustra- tion will suffice : Minvetto.
53.
segne So THE EXTENSIONS AT THE END OF EITHER PHRASE. Par. 47.
V J A Consequent.
I 2 expanded (Ex. 41. ) HAYDN.
33 i ? lr i i *i) Correct perfect Cadence, omitted (or, more properly, suppressed) on account of the extension to follow.
*2) " Intercepted " form of the perfect Cadence (comp. Ex. 32, note *4. It is expanded to two measures.
*3) This, and the seven measures which follow, constitute a "new Cadence- member" (see par.... 29^/5 Ex. 42).
See also: MENDELSSOHN, "Songs without Words", No. 23, meas. 1-9 from the first double-bar; compare carefully with meas. 25-10 from the end. Also No. 27, meas. 16-4 from the end (cited in Ex. 32-2); No. 31, meas. I-n (4-measure Period, repeated, and extended at its end); No. 38, meas. I-io.
CHOPIN, Pfte. Concerto, e minor (op. N), Romance, meas. 13-22 (quaint repetition of 2nd half of Consequent Phrase).
THE EXTENSIONS AT THE END OF EITHER PHRASE.
Si 48. An extension at the end of the Antecedent Phrase will be, as intimated, a comparatively rare occurrence, owing to the danger it involves of severing the continuity of the two Phrases.
What to read after The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc?
You can find similar books in the "Read Also" column, or choose other free books by Goetschius, Percy, 1853-1943 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
One peculiarly instructive illustra- tion will suffice : Minvetto.
53.
segne So THE EXTENSIONS AT THE END OF EITHER PHRASE. Par. 47.
V J A Consequent.
I 2 expanded (Ex. 41. ) HAYDN.
33 i ? lr i i *i) Correct perfect Cadence, omitted (or, more properly, suppressed) on account of the extension to follow.
*2) " Intercepted " form of the perfect Cadence (comp. Ex. 32, note *4. It is expanded to two measures.
*3) This, and the seven measures which follow, constitute a "new Cadence- member" (see par.... 29^/5 Ex. 42).
See also: MENDELSSOHN, "Songs without Words", No. 23, meas. 1-9 from the first double-bar; compare carefully with meas. 25-10 from the end. Also No. 27, meas. 16-4 from the end (cited in Ex. 32-2); No. 31, meas. I-n (4-measure Period, repeated, and extended at its end); No. 38, meas. I-io.
CHOPIN, Pfte. Concerto, e minor (op. N), Romance, meas. 13-22 (quaint repetition of 2nd half of Consequent Phrase).
THE EXTENSIONS AT THE END OF EITHER PHRASE.
Si 48. An extension at the end of the Antecedent Phrase will be, as intimated, a comparatively rare occurrence, owing to the danger it involves of severing the continuity of the two Phrases.
What to read after The Homophonic Forms of Musical Composition An Exhaustive Treatise On the Struc?
You can find similar books in the "Read Also" column, or choose other free books by Goetschius, Percy, 1853-1943 to read onlineMoreLess
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