The Illustration of Books; a Manual for the Use of Students, Notes for a Course of Lectures At the Slade School, University College

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I have already spoken of the reproduc- tions of line drawings by the half-tone pro- cess. One is sometimes tempted to wish that all line work could be reproduced by half tone and tone work could be reproduced by line, because if the line is delicate or the drawing is thin, the screen over it gives a tint which is pleasing, at times makes it look like an etching somewhat, especially if the tint be judiciously cut out. You might look at some of C. D. Gibson's work, where very great delicacy has b
...een obtained in this way. Engravers are now endeavouring to get the tint just where it is wanted, and I have no doubt they will succeed. When they do, photo-engraving by the half-tone process will be greatly improved.
92 THE ILLUSTRATION OF BOOKS.
Finally, study the requirements of the process not only as artists, but from the point of view of the engraver ; go down to his shop and find out how the work is done ; make him show and tell you ; insist on seeing proofs of your drawings — good proofs, too ; make corrections on them, first learning what corrections can be made.


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