The Impersonal Aspect of Shakespeares Art
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In our eReader you can find the full English version of the book. Read The Impersonal Aspect of Shakespeares Art Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Impersonal Aspect of Shakespeares Art
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The use of poetry, as he conceives it, is to give ' some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it '. (Advancement of Learning, Bk. II, ed. Kitchin, p. 125. ) Normal fact or experience is not, according to Bacon, in the plane of epic or dramatic poetry.
Coleridge made the vital point clear when he invented the word ' aloofness ' to express the relations between a poet's, and especially a dramatist's, own feelings in private life, and tho...se of which he is the painter or analyst. The dramatic poet is a spectator of the passionate tumult, and not an actor in it. He is a student of emotion. He tempers his presentation of tragic passion with rhythm and measure. His art sternly limits the active range of passion ; its wildness or violence is curbed by figures of speech. He reproduces tragic passion not as it is, but so as to create an illusion of truth. Flashes of imaginative realism illumine his pen, and seem to give the words the vivid vigour of Nature.
What to read after The Impersonal Aspect of Shakespeares Art?
You can find similar books in the "Read Also" column, or choose other free books by Lee Sidney Sir to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The use of poetry, as he conceives it, is to give ' some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it '. (Advancement of Learning, Bk. II, ed. Kitchin, p. 125. ) Normal fact or experience is not, according to Bacon, in the plane of epic or dramatic poetry.
Coleridge made the vital point clear when he invented the word ' aloofness ' to express the relations between a poet's, and especially a dramatist's, own feelings in private life, and tho...se of which he is the painter or analyst. The dramatic poet is a spectator of the passionate tumult, and not an actor in it. He is a student of emotion. He tempers his presentation of tragic passion with rhythm and measure. His art sternly limits the active range of passion ; its wildness or violence is curbed by figures of speech. He reproduces tragic passion not as it is, but so as to create an illusion of truth. Flashes of imaginative realism illumine his pen, and seem to give the words the vivid vigour of Nature.
What to read after The Impersonal Aspect of Shakespeares Art?
You can find similar books in the "Read Also" column, or choose other free books by Lee Sidney Sir to read onlineMoreLess
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