The Larger Forms of Musical Composition : An Exhaustive Explanation of the Variations, Rondos, And Sonata Designs, for the General Student of Musical Analysis, And for the Special Student of Structural Composition

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Theme is trans- posed, in direct preparation for the transposition of the Subord. Theme; the first section of the Coda is a partial statement of the principal member of the Prin. Theme.
Schubert, Unfinished Symphony, h minor. Andante con moto: The Subord. Theme is greatly extended, and closes in the (remote) key of C major; the retransition (12 measures) is a very effective expansion of the E of this C major chord, as tonic of the succeeding Prin. Theme {E major).
l6o TEE LARGER FORMS OF MUSICA
...L COMPOSITION. Par. 140.
Mozart, Sonata, No. 7 (Schirmer edition), Adagio; Retransition, one measure of "bridging" only; no Coda.
Clementi, "Gradus ad Pamassum" (Schirmer's compl. edition). No. 35 (orig.
ed. No. 11). — No. 19 (orig. ed. 36); the Prin. Theme transposed to the opposite mode, in the Recapitulation. — No. 24 (44).
Mendelssohn, Presto agitato in b minor for the pfte. (preceded by an Andante cantabile in Three-Part form). An illustration of the breadth which the Sonatina- form may assume, quite irrespective of its diminutive title: A 4-measure Introduction (par.


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