The Life of Beethoven, Including His Correspondence With His Friends, Numerous Characteristic Traits, And Remarks On His Musical Works V. 2

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The resisting principle is now relaxing, and allows the other to finish without interruption the phrase that has been begun.
In the following phrase — LIFE OF BEETHOVEN.
125 : =f IE =t m Dolce.
I 0-0-1 © 4- :§t fe^ p-O -o =1: both approximate, and the mutual under- standing is rendered distinctly perceptible by the succeeding cadence on the dominant.
In the second section of the same move- ment the opposition is again resumed in the minor of the tonic, and the resisting principle is energetical
...ly expressed in the phrase in a flat major. To this succeeds a pause on the chord of the dominant, and then in e flat the conflict is again resumed till the tranquil phrase comes in as it were like a preparation for mutual concord, for both repeat several times 126 LIFE OF BEETHOVEN.
the same idea, resembling an interrogation, beginning slowly, and with lingering pauses, then over and over again in rapid succession.
The introduction in the tonic of the principal motivo renews the conflict, and the feelings alternate as in the first part ; but, at the con- clusion of the movement, the expected conci- liation is still in suspenso.


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