The Loves of Krishna in Indian Painting And Poetry 8 4
The Loves of Krishna in Indian Painting And Poetry 8 4
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Even feminine modes ofmusic suffered the same kind of transformation. _Vasanta Ragini_, 'themusic of springtime, ' was normally apostrophized as a lovely lady, yetbecause springtime suggested lovers, she was shown in painting as if shewere Krishna dancing with a vase of flowers, holding a wand in his hand orcelebrating the spring fertility festival. The mode, _Pancham Ragini_, wasalso feminine in character and was conceived of as a beauty enjoying herlover's advances. The lady herself was portr...ayed, yet once again Krishnawas introduced, this time as her lover. In all these cases the celebrationof Krishna was incidental to the main theme and only in one instance--aMalwa _Rasika Priya_--is there a trace of undisguised adoration. In thislovely series, [86] Krishna's enchantment is perfectly suggested by theflowering trees which wave above him, the style acquiring an even moreintense lyricism on account of its divine subject.
During the eighteenth century, painting in Rajasthan became increasinglysecular, even artists of Udaipur devoting themselves almost exclusively toscenes of court life.
What to read after The Loves of Krishna in Indian Painting And Poetry 8 4?
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To quickly assess the difficulty of the text, read a short excerpt:
Even feminine modes ofmusic suffered the same kind of transformation. _Vasanta Ragini_, 'themusic of springtime, ' was normally apostrophized as a lovely lady, yetbecause springtime suggested lovers, she was shown in painting as if shewere Krishna dancing with a vase of flowers, holding a wand in his hand orcelebrating the spring fertility festival. The mode, _Pancham Ragini_, wasalso feminine in character and was conceived of as a beauty enjoying herlover's advances. The lady herself was portr...ayed, yet once again Krishnawas introduced, this time as her lover. In all these cases the celebrationof Krishna was incidental to the main theme and only in one instance--aMalwa _Rasika Priya_--is there a trace of undisguised adoration. In thislovely series, [86] Krishna's enchantment is perfectly suggested by theflowering trees which wave above him, the style acquiring an even moreintense lyricism on account of its divine subject.
During the eighteenth century, painting in Rajasthan became increasinglysecular, even artists of Udaipur devoting themselves almost exclusively toscenes of court life.
What to read after The Loves of Krishna in Indian Painting And Poetry 8 4?
You can find similar books in the "Read Also" column, or choose other free books by Archer W. G. to read onlineMoreLess
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