The Master E.S. And the 'ars Moriendi'; a Chapter in the History of Engraving During the Xvth Century, With Facsimile Reproductions of Engravings in the University Galleries At Oxford And in the British Museum
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In our eReader you can find the full English version of the book. Read The Master E.S. And the 'ars Moriendi'; a Chapter in the History of Engraving During the Xvth Century, With Facsimile Reproductions of Engravings in the University Galleries At Oxford And in the British Museum Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Master E.S. And the 'ars Moriendi'; a Chapter in the History of Engraving During the Xvth Century, With Facsimile Reproductions of Engravings in the University Galleries At Oxford And in the British Museum
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To quickly assess the difficulty of the text, read a short excerpt:
b. Bona Inspiratio Angeli contra Desperationem (Trost gegen Verzweiflung).
III. a. Temptatio Diaboli de Impatientia (Versuchung durch Ungeduld).
b. Bona Inspiratio Angeli de Patientia (Trost gegen die Versuchung durch Ungeduld).
IV. a. Temptatio Diaboli de Vana Gloria (Versuchung durch Hoffahrt).
b. Bona Inspiratio Angeli contra Vanam Gloriam (Eingebung der Demuth gegen die Hoffahrt).
V. a. Temptatio Diaboli de Avaritia (Versuchung durch Geiz).
b. Bona Inspiratio Angeli contra Avaritiam (Eingeb...ung der Freigebigkeit gegen den Geiz).
THE ARS MORI EN DF n Leading up to No. VI, the final Triumph over all Temptations at the Hour of Death (Triumph fiber alle Versuchungen in der Todesstunde).
As stated before, the only complete set of these illustrations by The Master E. S. to the Ars Moriendi is that in the Douce Collection, now in the University Galleries at Oxford. A single example of No. I. a is in the royal Print Room at Berlin 1 , one of I. b in the British Museum, and one of II. b in the remarkable collection preserved in the castle of Wolfegg-Waldsee in South-west Bavaria.
What to read after The Master E.S. And the 'ars Moriendi'; a Chapter in the History of Engraving During the Xvth Century, With Facsimile Reproductions of Engravings in the University Galleries At Oxford And in the British Museum?
You can find similar books in the "Read Also" column, or choose other free books by British Museum to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
b. Bona Inspiratio Angeli contra Desperationem (Trost gegen Verzweiflung).
III. a. Temptatio Diaboli de Impatientia (Versuchung durch Ungeduld).
b. Bona Inspiratio Angeli de Patientia (Trost gegen die Versuchung durch Ungeduld).
IV. a. Temptatio Diaboli de Vana Gloria (Versuchung durch Hoffahrt).
b. Bona Inspiratio Angeli contra Vanam Gloriam (Eingebung der Demuth gegen die Hoffahrt).
V. a. Temptatio Diaboli de Avaritia (Versuchung durch Geiz).
b. Bona Inspiratio Angeli contra Avaritiam (Eingeb...ung der Freigebigkeit gegen den Geiz).
THE ARS MORI EN DF n Leading up to No. VI, the final Triumph over all Temptations at the Hour of Death (Triumph fiber alle Versuchungen in der Todesstunde).
As stated before, the only complete set of these illustrations by The Master E. S. to the Ars Moriendi is that in the Douce Collection, now in the University Galleries at Oxford. A single example of No. I. a is in the royal Print Room at Berlin 1 , one of I. b in the British Museum, and one of II. b in the remarkable collection preserved in the castle of Wolfegg-Waldsee in South-west Bavaria.
What to read after The Master E.S. And the 'ars Moriendi'; a Chapter in the History of Engraving During the Xvth Century, With Facsimile Reproductions of Engravings in the University Galleries At Oxford And in the British Museum?
You can find similar books in the "Read Also" column, or choose other free books by British Museum to read onlineMoreLess
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