The Masters of Ukioye; a Complete Historical Description of Japanese Paintings And Color Prints of the Genre School
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In our eReader you can find the full English version of the book. Read The Masters of Ukioye; a Complete Historical Description of Japanese Paintings And Color Prints of the Genre School Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Masters of Ukioye; a Complete Historical Description of Japanese Paintings And Color Prints of the Genre School
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To quickly assess the difficulty of the text, read a short excerpt:
About 1785.
Large color print.
Three girls in the iris garden.
Lent by George W. Vanderbilt of New York.
It is but taking a step more for Kiyonaga to throw in a complete land- scape background. In this he realizes the fact that sunshine is indi- cated more by color than by light, in making the flat tone of his grass a firank yellow. The drawing of the iris is worthy of Korin ; the composition of the whole perfect ; and the coloring of unexampled richness.
This may perhaps be called the highest ...point reached by Kiyonaga.
74 242. KlYONAGA About 1785.
I*arge color print.
Same as preceding number.
Another experiment is made by using green on the grass. The colors are beautiful even in their faded condition.
243. KlYONAGA About 1785.
Kakemonoye.
Very tall standing girl.
In this unique figure, throwing aside almost all graces of form, of pat- tern, or of color, Kiyonaga, in his very simplicity, realizes some meas- ure of Harunobu's last sublimity. The sweetness of rendering the little green hanging fern ball is a last touch of refined feeling, which is rare with Kiyonaga.
What to read after The Masters of Ukioye; a Complete Historical Description of Japanese Paintings And Color Prints of the Genre School?
You can find similar books in the "Read Also" column, or choose other free books by Ernest Francisco Fenollosa to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
About 1785.
Large color print.
Three girls in the iris garden.
Lent by George W. Vanderbilt of New York.
It is but taking a step more for Kiyonaga to throw in a complete land- scape background. In this he realizes the fact that sunshine is indi- cated more by color than by light, in making the flat tone of his grass a firank yellow. The drawing of the iris is worthy of Korin ; the composition of the whole perfect ; and the coloring of unexampled richness.
This may perhaps be called the highest ...point reached by Kiyonaga.
74 242. KlYONAGA About 1785.
I*arge color print.
Same as preceding number.
Another experiment is made by using green on the grass. The colors are beautiful even in their faded condition.
243. KlYONAGA About 1785.
Kakemonoye.
Very tall standing girl.
In this unique figure, throwing aside almost all graces of form, of pat- tern, or of color, Kiyonaga, in his very simplicity, realizes some meas- ure of Harunobu's last sublimity. The sweetness of rendering the little green hanging fern ball is a last touch of refined feeling, which is rare with Kiyonaga.
What to read after The Masters of Ukioye; a Complete Historical Description of Japanese Paintings And Color Prints of the Genre School?
You can find similar books in the "Read Also" column, or choose other free books by Ernest Francisco Fenollosa to read onlineMoreLess
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