The book The Musical Faculty, Its Origins And Processes; was written by author William Wallace Here you can read free online of The Musical Faculty, Its Origins And Processes; book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is The Musical Faculty, Its Origins And Processes; a good or bad book?
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by Ideas remote from music we may hear but we do not listen. The impact of waves of sound and their ultimate distribution over the complex mechanism of the inner ear may produce no mental reaction when the attention is riveted upon other matters. Inhibition is often strongest while music Is being listened to. At public performances the attention is primarily visual and not auditory. The listener may be engrossed in the conductor's gestures, in the "action" of the pianist or violinist, In the ho...st of lesser occurrences on the platform during an orchestral concert, and unless his attention Is under control, his mind may wander and drift Into other currents. Many people, when describing a concert, begin with what they saw, and this Is frequently the most lasting Impression. In opera a large portion of the music may escape the ear while there Is much movement on the stage. In these cases the auditory perception Is the " weaker power," yielding to the visual which is more highly stimulated.
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