The National Gallery London the Spanish French And German Schools

Cover The National Gallery London the Spanish French And German Schools
The National Gallery London the Spanish French And German Schools
Walter Bayes
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Thc^ woman's face is oddly out of drawing, but full of character and friendliness. Beside any of the pictures of the earlier masters it is necessarily dull in colour with its rather overdone effect of broken colour everywhere, which gives it a rather teased look.
These notes have necessarily been a little scrappy, for the rooms I deal with partake themselves somewhat of that character, but certain general reflections emerge. Murillo and Greuze I regard as people who tind their period admirably
...adapted Un- their purposes in that folhnving on a suc- cession of great masters they may produce fluent rechauffes without ever grappling with the difficulties of observing Nature for themselves, and thus they are able to devote in their paintings all their energies to elaborating the kind of soft and sentimental expressiveness of countenance that would naturally appeal to a mind of that temper ; " the swimming horizontal motion of the eyes like a spirit level. " as a modern dramatic critic has eloquently described it, is their speciality, and they feel none of " la xxi THE NATIONAL GALLERY— THE GERMAN PICTURES liaine des elans retombants" that troubled the Duke of Reichstad.

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