The Nature of Music Original Harmony in One Voice

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Just as in major so in minor, the cadence-tones arose over and under and tend up and down into the regnant Tonic-har- mony. Because of these corresponding tones, relations and harmonies in the two modes, parallel examples in major and minor will be given in all cases where they will add to the clearness of our exposition. Our first example presents a pentatonic melody, in which note the common harmonic self -reports and corre- sponding tones, relations and harmonies in the two modes. The pitch ...of these and other examples is chosen for convenience of presentation and should be thought an octave lower. Major i g sol mi I- do mi sol ^ la sol I Minor i m e^ mt do I la do fa n Carefully compare these parallel examples. The syllables and harmonic numbers show the new and transmuted relations of the diatonics in minor. Ob- serve that each mode is represented by the three com- ORIGIN AND NATURE OF MINOR 187 ponents of the Tonic-harmony, by one component of its Dominant, by one component of its Subdominant.

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