The Negro in Literature And Art in the United States
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Foremost is Clarence Cameron White, of Bos- ton. Prominent also for some years has been Joseph Douglass, of Washington. Felix Weir, of Washington and New York, has given un- usual promise; and Kemper Harreld, of Chi- cago and Atlanta, also deserves mention. In this general sketch of those who have added to the musical achievement of the race there is a name that must not be overlooked. "Blind Tom, " who attracted so much attention a generation ago, deserves notice as a prodigy rather than as a ...musician of solid accomplish- ment. His real name was Thomas Bethune, and he was born in Columbus, Ga. , in 1849. He was peculiarly susceptible to the influences 136 The Negro in Literature and Art of nature, and imitated on the piano all the sounds he knew. Without being able to read a note he could play from memory the most difficult compositions of Beethoven and Men- delssohn. In phonetics he was especially skill- ful. Before his audiences he would commonly invite any of his hearers to play new and difficult selections, and as soon as a rendering was finished he would himself play the com- position without making a single mistake.
What to read after The Negro in Literature And Art in the United States?
You can find similar books in the "Read Also" column, or choose other free books by Brawley, Benjamin Griffith, 1882-1939 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Foremost is Clarence Cameron White, of Bos- ton. Prominent also for some years has been Joseph Douglass, of Washington. Felix Weir, of Washington and New York, has given un- usual promise; and Kemper Harreld, of Chi- cago and Atlanta, also deserves mention. In this general sketch of those who have added to the musical achievement of the race there is a name that must not be overlooked. "Blind Tom, " who attracted so much attention a generation ago, deserves notice as a prodigy rather than as a ...musician of solid accomplish- ment. His real name was Thomas Bethune, and he was born in Columbus, Ga. , in 1849. He was peculiarly susceptible to the influences 136 The Negro in Literature and Art of nature, and imitated on the piano all the sounds he knew. Without being able to read a note he could play from memory the most difficult compositions of Beethoven and Men- delssohn. In phonetics he was especially skill- ful. Before his audiences he would commonly invite any of his hearers to play new and difficult selections, and as soon as a rendering was finished he would himself play the com- position without making a single mistake.
What to read after The Negro in Literature And Art in the United States?
You can find similar books in the "Read Also" column, or choose other free books by Brawley, Benjamin Griffith, 1882-1939 to read onlineMoreLess
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