The New Biographical Dictionary of Film: Completely Updated And Expanded
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In our eReader you can find the full English version of the book. Read The New Biographical Dictionary of Film: Completely Updated And Expanded Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The New Biographical Dictionary of Film: Completely Updated And Expanded
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ParisNo other French screen actor seemed to the French to embody so many of their admirable characteristics. Like the best American actors, Gabin was subdued out of strength, a knowing listener more than a speaker, anticipatory rather than active. Although in his last years he represented the enduring appeal of a rather stolid bourgeois, in the late 1930s Gabin was the perfect expression of a working-class figure, hating his squalid environment—in factory or lodgings—but drawn toward a dangerous...ly innocent woman and consequent fatal violence as the only means to dignity.It is a theme returned to in Pierrot le Fou, and that is what André Bazin saw in Gabin’s alleged insistence on a death scene in his films: “So Gabin was quite right in demanding of his scriptwriters a crisis scene of homicidal fury. It constitutes the significant moment in a rigid destiny where the spectator recognizes the same hero in film after film—a hero of the sprawling metropolis, a suburban, working-class Thebes where the gods take the form of the blind but equally transcendent imperatives of society.”
What to read after The New Biographical Dictionary of Film: Completely Updated And Expanded?
You can find similar books in the "Read Also" column, or choose other free books by David Thomson to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
ParisNo other French screen actor seemed to the French to embody so many of their admirable characteristics. Like the best American actors, Gabin was subdued out of strength, a knowing listener more than a speaker, anticipatory rather than active. Although in his last years he represented the enduring appeal of a rather stolid bourgeois, in the late 1930s Gabin was the perfect expression of a working-class figure, hating his squalid environment—in factory or lodgings—but drawn toward a dangerous...ly innocent woman and consequent fatal violence as the only means to dignity.It is a theme returned to in Pierrot le Fou, and that is what André Bazin saw in Gabin’s alleged insistence on a death scene in his films: “So Gabin was quite right in demanding of his scriptwriters a crisis scene of homicidal fury. It constitutes the significant moment in a rigid destiny where the spectator recognizes the same hero in film after film—a hero of the sprawling metropolis, a suburban, working-class Thebes where the gods take the form of the blind but equally transcendent imperatives of society.”
What to read after The New Biographical Dictionary of Film: Completely Updated And Expanded?
You can find similar books in the "Read Also" column, or choose other free books by David Thomson to read onlineMoreLess
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