The North American Review volume 222

Cover The North American Review volume 222
The North American Review volume 222
Johnson James Weldon
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He has done his work thoroughly, alertly. In fact, sometimes we cannot see the drama for the names. Neverthe less, it is a careful diagnosis, with the conclusion that the patient is doing well, and, when full grown, will be better than ever. My only worry at present with the American Drama is its mental growth, its body of ideas. Technically, it has flowered beauti fully since 1900.
MONTROSE J. MOSES.
A GERMAN REALIST FABER, ODER DIE VERLORENEN JAHRE. By Jakob Wassermann. Berlin: S. Fischer Ver
...lag.
BRANDEK MATTHEWS used to like to tell the story of a French play in which Mama, always about to appear but never quite doing so, was the mainspring of the action. A character, remi niscent of the whimsical French comedy only in this particular, broods over the action of Jakob Wassermann's latest venture in fiction, Faber, oder die verlorenen Jahre. From the opening pages when Eugen Faber, after more than five years as a war prisoner in Siberia, returns home with a scowl on his handsome face and a gnawing fear at his heart because he thinks that the Princess has engaged his wife's affections to his exclusion, we realize that there must come a reckoning between these two 174 THE NORTH AMERICAN REVIEW forces in the novel.


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