The Notebooks of Leonardo Da Vinci
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In our eReader you can find the full English version of the book. Read The Notebooks of Leonardo Da Vinci Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Notebooks of Leonardo Da Vinci
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To quickly assess the difficulty of the text, read a short excerpt:
(1).—The preparation of the MSS. for publication (2).—Admonition to readers (3).—The disorder in the MSS. (4).—Suggestions for the arrangement of MSS. treating of particular subjects (5—8).—General introductions to the book on painting (9—13).—The plan of the book on painting (14—17).—The use of the book on painting (18).—Necessity of theoretical knowledge (19, 20).—The function of the eye (21—23).—Variability of the eye (24).—Focus of sight (25).—Differences of perception by one eye and by both... eyes (26—29).—The comparative size of the image depends on the amount of light (30—39).
II.
LINEAR PERSPECTIVE General remarks on perspective (40—41).—The elements of perspective:—of the point (42—46).—Of the line (47—48).—The nature of the outline (49).—Definition of perspective (50).—The perception of the object depends on the direction of the eye (51).—Experimental proof of the existence of the pyramid of sight (52—55).—The relations of the distance point to the vanishing point (55—56).—How to measure the pyramid of vision (57).—The production of the pyramid of vision (58—64).—Proof by experiment (65—66).—General conclusions (67).—That the contrary is impossible (68).—A parallel case (69).—The function of the eye, as explained by the camera obscura (70—71).—The practice of perspective (72—73).—Refraction of the rays falling upon the eye (74—75).—The inversion of the images (76).—The intersection of the rays (77—82).—Demonstration of perspective by means of a vertical glass plane (83—85.)—The angle of sight varies with the distance (86—88).—Opposite pyramids in juxtaposition (89).—On simple and complex perspective (90).—The proper distance of objects from the eye (91—92).—The relative size of objects with regard to their distance from the eye (93—98).—The apparent size of objects denned by calculation (99—106).—On natural perspective (107—109).
What to read after The Notebooks of Leonardo Da Vinci?
You can find similar books in the "Read Also" column, or choose other free books by Leonardo, Da Vinci, 1452-1519 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
(1).—The preparation of the MSS. for publication (2).—Admonition to readers (3).—The disorder in the MSS. (4).—Suggestions for the arrangement of MSS. treating of particular subjects (5—8).—General introductions to the book on painting (9—13).—The plan of the book on painting (14—17).—The use of the book on painting (18).—Necessity of theoretical knowledge (19, 20).—The function of the eye (21—23).—Variability of the eye (24).—Focus of sight (25).—Differences of perception by one eye and by both... eyes (26—29).—The comparative size of the image depends on the amount of light (30—39).
II.
LINEAR PERSPECTIVE General remarks on perspective (40—41).—The elements of perspective:—of the point (42—46).—Of the line (47—48).—The nature of the outline (49).—Definition of perspective (50).—The perception of the object depends on the direction of the eye (51).—Experimental proof of the existence of the pyramid of sight (52—55).—The relations of the distance point to the vanishing point (55—56).—How to measure the pyramid of vision (57).—The production of the pyramid of vision (58—64).—Proof by experiment (65—66).—General conclusions (67).—That the contrary is impossible (68).—A parallel case (69).—The function of the eye, as explained by the camera obscura (70—71).—The practice of perspective (72—73).—Refraction of the rays falling upon the eye (74—75).—The inversion of the images (76).—The intersection of the rays (77—82).—Demonstration of perspective by means of a vertical glass plane (83—85.)—The angle of sight varies with the distance (86—88).—Opposite pyramids in juxtaposition (89).—On simple and complex perspective (90).—The proper distance of objects from the eye (91—92).—The relative size of objects with regard to their distance from the eye (93—98).—The apparent size of objects denned by calculation (99—106).—On natural perspective (107—109).
What to read after The Notebooks of Leonardo Da Vinci?
You can find similar books in the "Read Also" column, or choose other free books by Leonardo, Da Vinci, 1452-1519 to read onlineMoreLess
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