The Orchestra
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In our eReader you can find the full English version of the book. Read The Orchestra Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Orchestra
What reading level is The Orchestra book?
To quickly assess the difficulty of the text, read a short excerpt:
/ !
vioi.2''? ' Viola.
Bassi.
Ob. p~3 ,i~5 |3 ! S I T I -1 I Ti ■ ^if;.L-a ^2 ^.S L_= L5 L_3 L_3 L_3 Ex. 85. Beethoven: ' Christus am Odberge.' ('Mount of Olives.') Maestoso. ^ Ob 3^^ =s - ^ =a=c= ^ ! 5 i- !
fel^s ■m-m- • • -m-m- ■ • -m-m • • ,■- -*- : : -0-0- ; ; j«-^ ; ■ J»-i :|»;S-rrig^£^-N=Srgi£Tr-ir-g=giz=r*-r^"-n i' m ifN^ -J.-TT-jr-rSr |5E^5E^?=:^3±i^^ ■J~— -i- tefe^^ 3 I =^^ #•■ -•-—-*- ^fc^t 1 r »r-^-.r— =r.r-=r-t— =rr-=r-T— ^-r-g"t— ipr— =F^ Linn*;:*!] •# Chap, v.; Balance of Toxe.
10...7 ^ESEE^ai^fefcS^lE =r|B=^ riz=^ |B=:j:^iz=|»-|g =zz= i|E: !=-!= i^5E Id =s~ In this and the two following examples we have written the three trombones on one staff. It is more usual, and mostly- clearer, to write them on two. (See Vol. I., § 439.) In this passage the tone obtained from the orchestra is full and rich, rather than brilliant. This is because of the way in which the second violin and viola parts are written ; it will be seen that they are doubled by the brass, while the wood not only helps to strengthen the rhythmic figure of the lower strings, but fills up the harmony through nearly three octaves.
What to read after The Orchestra?
You can find similar books in the "Read Also" column, or choose other free books by Ebenezer Prout to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
/ !
vioi.2''? ' Viola.
Bassi.
Ob. p~3 ,i~5 |3 ! S I T I -1 I Ti ■ ^if;.L-a ^2 ^.S L_= L5 L_3 L_3 L_3 Ex. 85. Beethoven: ' Christus am Odberge.' ('Mount of Olives.') Maestoso. ^ Ob 3^^ =s - ^ =a=c= ^ ! 5 i- !
fel^s ■m-m- • • -m-m- ■ • -m-m • • ,■- -*- : : -0-0- ; ; j«-^ ; ■ J»-i :|»;S-rrig^£^-N=Srgi£Tr-ir-g=giz=r*-r^"-n i' m ifN^ -J.-TT-jr-rSr |5E^5E^?=:^3±i^^ ■J~— -i- tefe^^ 3 I =^^ #•■ -•-—-*- ^fc^t 1 r »r-^-.r— =r.r-=r-t— =rr-=r-T— ^-r-g"t— ipr— =F^ Linn*;:*!] •# Chap, v.; Balance of Toxe.
10...7 ^ESEE^ai^fefcS^lE =r|B=^ riz=^ |B=:j:^iz=|»-|g =zz= i|E: !=-!= i^5E Id =s~ In this and the two following examples we have written the three trombones on one staff. It is more usual, and mostly- clearer, to write them on two. (See Vol. I., § 439.) In this passage the tone obtained from the orchestra is full and rich, rather than brilliant. This is because of the way in which the second violin and viola parts are written ; it will be seen that they are doubled by the brass, while the wood not only helps to strengthen the rhythmic figure of the lower strings, but fills up the harmony through nearly three octaves.
What to read after The Orchestra?
You can find similar books in the "Read Also" column, or choose other free books by Ebenezer Prout to read onlineMoreLess
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