The Origins of Art; a Psychological & Sociological Inquiry

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180 THE ORIGINS OF AET chap.
That bygone events have been preserved in history and art chiefly for the sake of their effect in enhancing the national pride can also be concluded from the way in which humiliating incidents are treated. There are, it is true, a few isolated and unhappy tribes which keep up some dim traditions of their inglorious past.^ Generally, however, defeats are totally ignored in the earliest chronicles. If, however, an unsuccessful battle should have provoked artistic mani
...festations, these aim at masking the humiliation.^ The ancient history of Greece affords the most curious examples of myths and inventions by means of which the popular im- agination contrived to conceal disagreeable truths. The fate of Phrynichos, who was fined for having revived the memory of the defeat at Miletus, shows that Greece, even at a much later period, preserved the same primitive ideas as to the raison d'itre of historic art. It is needless to point out to how great an extent similar conceptions still prevail amongst all warlike nations, civilised and barbarous alike.

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