The Oxford History of Music volume 3
The Oxford History of Music volume 3
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In our eReader you can find the full English version of the book. Read The Oxford History of Music volume 3 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Oxford History of Music volume 3
What reading level is The Oxford History of Music volume 3 book?
To quickly assess the difficulty of the text, read a short excerpt:
1"77.
( fnm -P J Why art thou so full of hea-vi-ness . . O my soul, O . . My soul?
. 1 I 1 *- -&- ~- J. Ij 1 J J ft ^ 1- 1, li = J2J >G> ^ ^, - ' i 1 I MUSIC OF SEVENTEENTH CENTURY V g g ' g -Tr-r r g Why, Why art thou so full of hea - vi - ness . . O my soul ? 1 I 1 & J i~ 6* * M k g~ "" "I" -$ - *-| JT- "^ "f md again Ex. 178.
=1 3 r i r r t O . . . . My soul, Why Why art thou so dis - qui - et - ed . .
-*>*, *='' 35 Hp = ; (^-T^ 1 | / r ' i* t- r i- * -t ! ' 4 I ^-1 P 3 J P m m C^ &-* r -.. ...- fg w hi ^ ' .... My soul, Why, Why art thou so dis - qui et ed with - in . . Me ?
1 * ' i -* A peculiarity of the English verse anthems was the frequency with which several solo voices were combined in declamatory passages. A very curious instance is the following passage from Humfrey's 'Hear, O heavens ': Ex. 179.
Bass. Tenor.
Alto.
rr = ^ T k ' 1 ;/ uv |i, - v - . > : v " Wash ye, Hake you clean.
Put a - way the e - vil of your 1 -g".^ ^^ ^ Tenor.
to Bg T *& V do ings from be fore mine eyes ; cease to do e vil, Learn to do 4 _ r T=*T r ENGLISH MUSIC AFTER COMMONWEALTH 263 Alto.
What to read after The Oxford History of Music volume 3?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Hadow to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
1"77.
( fnm -P J Why art thou so full of hea-vi-ness . . O my soul, O . . My soul?
. 1 I 1 *- -&- ~- J. Ij 1 J J ft ^ 1- 1, li = J2J >G> ^ ^, - ' i 1 I MUSIC OF SEVENTEENTH CENTURY V g g ' g -Tr-r r g Why, Why art thou so full of hea - vi - ness . . O my soul ? 1 I 1 & J i~ 6* * M k g~ "" "I" -$ - *-| JT- "^ "f md again Ex. 178.
=1 3 r i r r t O . . . . My soul, Why Why art thou so dis - qui - et - ed . .
-*>*, *='' 35 Hp = ; (^-T^ 1 | / r ' i* t- r i- * -t ! ' 4 I ^-1 P 3 J P m m C^ &-* r -.. ...- fg w hi ^ ' .... My soul, Why, Why art thou so dis - qui et ed with - in . . Me ?
1 * ' i -* A peculiarity of the English verse anthems was the frequency with which several solo voices were combined in declamatory passages. A very curious instance is the following passage from Humfrey's 'Hear, O heavens ': Ex. 179.
Bass. Tenor.
Alto.
rr = ^ T k ' 1 ;/ uv |i, - v - . > : v " Wash ye, Hake you clean.
Put a - way the e - vil of your 1 -g".^ ^^ ^ Tenor.
to Bg T *& V do ings from be fore mine eyes ; cease to do e vil, Learn to do 4 _ r T=*T r ENGLISH MUSIC AFTER COMMONWEALTH 263 Alto.
What to read after The Oxford History of Music volume 3?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Hadow to read onlineMoreLess
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