The Oxford History of Music volume 5
The Oxford History of Music volume 5
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In our eReader you can find the full English version of the book. Read The Oxford History of Music volume 5 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Oxford History of Music volume 5
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To quickly assess the difficulty of the text, read a short excerpt:
Ii. P. 255 et seq.
' See above, p. 80.
224 THE VIENNESE PERIOD stadt period these become so frequent as to be almost habitual. From no other source could he have devised the metres which, to mention a few instances alone, open the first movements of the quartets, Op. 9, Nos. I and 2 ; the Finale of Op. 17, No. I, and all four movements of Op. 20, No. 3. But beside these indirect similarities he soon began to employ the actual songs and dances of the Croatian colony, in the heart of which he liv...ed J . The symphony in D major (Haydn's catalogue, No. 4) sets out with the measure of the Kolo, a native dance of the South Slavonic peasants; the Cassation in G (1765) founds its first movement on a Croatian drinking-song ; the Trio of the A major symphony (Haydn's catalogue, No. U) on a Croatian ballad. The first Allegro of the quartet in D major, Op. 17, No. 6, the Finale of that in Eb, Op. 20, No. I, the 'Rondo a 1'Hongrie ' of the third piano concerto, afford instances equally striking ; and the list may be extended without a break through the compositions of Haydn's entire life 2 .
What to read after The Oxford History of Music volume 5?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Hadow to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Ii. P. 255 et seq.
' See above, p. 80.
224 THE VIENNESE PERIOD stadt period these become so frequent as to be almost habitual. From no other source could he have devised the metres which, to mention a few instances alone, open the first movements of the quartets, Op. 9, Nos. I and 2 ; the Finale of Op. 17, No. I, and all four movements of Op. 20, No. 3. But beside these indirect similarities he soon began to employ the actual songs and dances of the Croatian colony, in the heart of which he liv...ed J . The symphony in D major (Haydn's catalogue, No. 4) sets out with the measure of the Kolo, a native dance of the South Slavonic peasants; the Cassation in G (1765) founds its first movement on a Croatian drinking-song ; the Trio of the A major symphony (Haydn's catalogue, No. U) on a Croatian ballad. The first Allegro of the quartet in D major, Op. 17, No. 6, the Finale of that in Eb, Op. 20, No. I, the 'Rondo a 1'Hongrie ' of the third piano concerto, afford instances equally striking ; and the list may be extended without a break through the compositions of Haydn's entire life 2 .
What to read after The Oxford History of Music volume 5?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Hadow to read onlineMoreLess
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