The Oxford History of Music volume 6

Cover The Oxford History of Music volume 6
The Oxford History of Music volume 6
W H William Henry Hadow
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'The catch in music, ' says Dr. Hayes, the editor of several sets of catches, 'answers to the epigram in poetry, where much is expressed within a very small compass, and unless the turn is neat and well pointed it is of little value. ' Like the round, the catch is a short Canone infinito in the unison or the octave, and the ' epigram matical touch ' is sought in the connexion of pointed words with the musical sounds.
1 Compare also PurcelPs catch in G minor, If aU 6e true that I do think, repri
...nted in Samuel Webbe junior's Convito Armonico, p. 423.
VARIOUS WORKS BY OTHER MASTERS 303 A glee may be described as a sort of harmonic madrigal for three, four, five, or more male voices i. E. Combinations of alto, tenor, bass (with the occasional addition of a boy's treble), depending on the deft interweaving of vocal parts in which the contrapuntal element is usually more or less present 1 . Points are started and taken up, much as in the madrigal proper; indeed, though less persistently developed, they are more frequent than in the madrigal, and they are generally poetical points.


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