The Painter's Educator. for Stainers, Varnishers, Grainers, Carriage Painters, Fresco Artists, Gilders And Amateurs; Containing Rules And Methods ..
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In our eReader you can find the full English version of the book. Read The Painter's Educator. for Stainers, Varnishers, Grainers, Carriage Painters, Fresco Artists, Gilders And Amateurs; Containing Rules And Methods .. Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Painter's Educator. for Stainers, Varnishers, Grainers, Carriage Painters, Fresco Artists, Gilders And Amateurs; Containing Rules And Methods ..
What reading level is The Painter's Educator. for Stainers, Varnishers, Grainers, Carriage Painters, Fresco Artists, Gilders And Amateurs; Containing Rules And Methods .. book?
To quickly assess the difficulty of the text, read a short excerpt:
GROUNDING COEOR.
Two coats of ground color over old work which has been painted before, will be sufficient. Sandpaper the work well before first coating.
Putty and sandpaper after the first coat; then second coat, and let stand until thoroughly dry — then the work is ready for graining.
Mixing the graining color for oak. — Take raw umber ground in oil, as much as you think will do the graining. One-half pound will make one- third ot a gallon of graining color ready for use.
Thin with two-fifths... each, boiled linseed oil and tur- pentine, and one-fifth good japan drier. Make it thin — about the same consistency as for staining.
Those who are not familiar with this kind of work, should coat a piece of board with the ground color, each time when painting the room, or work; for the purpose of testing the consistency of the graining color. If you find it too heavy, thin with more tur- pentine. If it dries a little too quick, or is a little too dense in color, add a little oil in the place of the tur- pentine.
What to read after The Painter's Educator. for Stainers, Varnishers, Grainers, Carriage Painters, Fresco Artists, Gilders And Amateurs; Containing Rules And Methods ..?
You can find similar books in the "Read Also" column, or choose other free books by Turney, T. C. (Tully C.) to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
GROUNDING COEOR.
Two coats of ground color over old work which has been painted before, will be sufficient. Sandpaper the work well before first coating.
Putty and sandpaper after the first coat; then second coat, and let stand until thoroughly dry — then the work is ready for graining.
Mixing the graining color for oak. — Take raw umber ground in oil, as much as you think will do the graining. One-half pound will make one- third ot a gallon of graining color ready for use.
Thin with two-fifths... each, boiled linseed oil and tur- pentine, and one-fifth good japan drier. Make it thin — about the same consistency as for staining.
Those who are not familiar with this kind of work, should coat a piece of board with the ground color, each time when painting the room, or work; for the purpose of testing the consistency of the graining color. If you find it too heavy, thin with more tur- pentine. If it dries a little too quick, or is a little too dense in color, add a little oil in the place of the tur- pentine.
What to read after The Painter's Educator. for Stainers, Varnishers, Grainers, Carriage Painters, Fresco Artists, Gilders And Amateurs; Containing Rules And Methods ..?
You can find similar books in the "Read Also" column, or choose other free books by Turney, T. C. (Tully C.) to read onlineMoreLess
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