The Palace of Fine Arts And the French And Italian Pavillions a Walk With a Pa

Cover The Palace of Fine Arts And the French And Italian Pavillions a Walk With a Pa
The Palace of Fine Arts And the French And Italian Pavillions a Walk With a Pa
John D John Daniel Barry
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One can get the fine atmospheric quality in the most impressionistic of them. See how beautifully the mist is indicated in the Seine at Portvil- lers. Monet shows us the wonderful bits of color just breaking through. And the picture of the town of Vetheuil, very like his own village of Giverny, near Rouen, is one of his most character- istic studies. At home he likes to go out in the early morning with a wheelbarrow containing a half-dozen canvases. He puts them up in a semicircle and he works ...on them, one after another, as the light changes. " Then the painter told me about the struggle Monet and his little group had for recognition. "Year after year they would send canvases to the salon in Paris and they would be turned down. At last, in the late sixties, Napoleon III interfered. He suggested that the new men be given a place by themselves in the exposition, and that their department should be called, 'The Salon of the Re- fused. * One of the first of the pictures that Monet sent in was a sunset called 'Impressions: Sunset.

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