The Pedals of the Piano Forte And Their Relation to Piano Forte Playing And the
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In our eReader you can find the full English version of the book. Read The Pedals of the Piano Forte And Their Relation to Piano Forte Playing And the Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Pedals of the Piano Forte And Their Relation to Piano Forte Playing And the
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To quickly assess the difficulty of the text, read a short excerpt:
This can be readily shown by the two follow- ing examples: — Silent.
Silent.
Sounding.
Silence V V V Sounding D.
THE PEDALS OF THE PIANO-FORTE 53 CHAPTER III Thus far the pedal has been considered only in its effect on the single tone or chord, if it is to be sustained during a succession of tones, the rules foi its use become more complicated When this succession belongs to one chord, the general rule is to hold the pedal until the chord changes, each change of harmony being followed by a chan...ge in the pedal. In order to avoid dissonances from the mingling of different harmonies, the pedal must not strike exactly with the new chord, but a trifle later. (See Chapter I, page 7. ) This necessitates on the part of the player a knowledge of what tones form a chord. A good student generally gains this knowledge in the practice of such chord passages as are found in most collections of finger exercises; a direct study of harmony, however, is of course prefer- able. It must also be remarked that arpeggios in close position taken with the pedal sound much worse on the lower part of the piano than in the middle or higher part A charming effect is sometimes produced by the retention of the pedal during changing harmonies on the upper keys.
What to read after The Pedals of the Piano Forte And Their Relation to Piano Forte Playing And the?
You can find similar books in the "Read Also" column, or choose other free books by Hans Schmitt to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
This can be readily shown by the two follow- ing examples: — Silent.
Silent.
Sounding.
Silence V V V Sounding D.
THE PEDALS OF THE PIANO-FORTE 53 CHAPTER III Thus far the pedal has been considered only in its effect on the single tone or chord, if it is to be sustained during a succession of tones, the rules foi its use become more complicated When this succession belongs to one chord, the general rule is to hold the pedal until the chord changes, each change of harmony being followed by a chan...ge in the pedal. In order to avoid dissonances from the mingling of different harmonies, the pedal must not strike exactly with the new chord, but a trifle later. (See Chapter I, page 7. ) This necessitates on the part of the player a knowledge of what tones form a chord. A good student generally gains this knowledge in the practice of such chord passages as are found in most collections of finger exercises; a direct study of harmony, however, is of course prefer- able. It must also be remarked that arpeggios in close position taken with the pedal sound much worse on the lower part of the piano than in the middle or higher part A charming effect is sometimes produced by the retention of the pedal during changing harmonies on the upper keys.
What to read after The Pedals of the Piano Forte And Their Relation to Piano Forte Playing And the?
You can find similar books in the "Read Also" column, or choose other free books by Hans Schmitt to read onlineMoreLess
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