The Philosophy of Music Being the Substance of a Course of Lectures Delivered a
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E. , the F| only a very little below it, and the Ab only a very little above it ; in- deed, in violin playing, this method of placing chromatic notes amounts to a rule.
THE CHROMATIC SCALE.
I V /6 Otlier cases would be treated differently. Forexaijiple, ""?' ' if a violin player had to execute a passage contai~ : is called the chromatic scale, or a part of it, thus- his feeling (which, if a good player, ought always to be his guide consistently with the structure of the music) would no doubt le...ad him to divide the tones equally, for the sake of making equal steps in his run.
Now, taking the note F#, we have arrived at three dif- ferent places for it.
1. The position determined by its harmonical use ; namely, a major third above D, which brings it not quite half the height between F and G : assuming F to have 341 J durations and G 384, then FJ on this principle will have ;6o vibrations.
2. The ornamental melodial position, which gives it an ideterminate place, very close to G ; and this note having ;84 vibrations, the F# may be put at 375 to 380.
What to read after The Philosophy of Music Being the Substance of a Course of Lectures Delivered a?
You can find similar books in the "Read Also" column, or choose other free books by Pole, William, 1814-1900 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
E. , the F| only a very little below it, and the Ab only a very little above it ; in- deed, in violin playing, this method of placing chromatic notes amounts to a rule.
THE CHROMATIC SCALE.
I V /6 Otlier cases would be treated differently. Forexaijiple, ""?' ' if a violin player had to execute a passage contai~ : is called the chromatic scale, or a part of it, thus- his feeling (which, if a good player, ought always to be his guide consistently with the structure of the music) would no doubt le...ad him to divide the tones equally, for the sake of making equal steps in his run.
Now, taking the note F#, we have arrived at three dif- ferent places for it.
1. The position determined by its harmonical use ; namely, a major third above D, which brings it not quite half the height between F and G : assuming F to have 341 J durations and G 384, then FJ on this principle will have ;6o vibrations.
2. The ornamental melodial position, which gives it an ideterminate place, very close to G ; and this note having ;84 vibrations, the F# may be put at 375 to 380.
What to read after The Philosophy of Music Being the Substance of a Course of Lectures Delivered a?
You can find similar books in the "Read Also" column, or choose other free books by Pole, William, 1814-1900 to read onlineMoreLess
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