The Pianoforte And Its Music
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A much likelier explanation is that Beethoven felt that its associa- tion with two such movements as the allegro con brio and the allegretto moderato would be an artistic mesalliance.
As the poetical, or emotional, contents deter- mined the number of movements, their relative disposition, and the modification of their forms, so also it led to the introduction of new or unusual forms. So the stories of the two sonatas, Op. 27, are told in a rhapsodical way {quasi fantasia) and 160 Beethoven — An... Intermezzo in the slow movement of the great Sonata in A-flat, Op. No, a fragment of recitative, such as had already been employed in the Sonata in D minor (Op. 31, No. 2) many years before, becomes an ele- ment in a vocal form. This adagio is a scena, an arioso with an introduction in which we may hear (if we wish so to exercise our fancy) at first an or- chestral introduction, then a voice speaking in the declamatory style of the recitative, then the two flowing together as cantilena and accompaniment.
What to read after The Pianoforte And Its Music?
You can find similar books in the "Read Also" column, or choose other free books by Krehbiel Henry Edward to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
A much likelier explanation is that Beethoven felt that its associa- tion with two such movements as the allegro con brio and the allegretto moderato would be an artistic mesalliance.
As the poetical, or emotional, contents deter- mined the number of movements, their relative disposition, and the modification of their forms, so also it led to the introduction of new or unusual forms. So the stories of the two sonatas, Op. 27, are told in a rhapsodical way {quasi fantasia) and 160 Beethoven — An... Intermezzo in the slow movement of the great Sonata in A-flat, Op. No, a fragment of recitative, such as had already been employed in the Sonata in D minor (Op. 31, No. 2) many years before, becomes an ele- ment in a vocal form. This adagio is a scena, an arioso with an introduction in which we may hear (if we wish so to exercise our fancy) at first an or- chestral introduction, then a voice speaking in the declamatory style of the recitative, then the two flowing together as cantilena and accompaniment.
What to read after The Pianoforte And Its Music?
You can find similar books in the "Read Also" column, or choose other free books by Krehbiel Henry Edward to read onlineMoreLess
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