The Poetical Works of Robert Southey
The Poetical Works of Robert Southey
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— P. 94.
The music of the Bedoweens rarely consists of more than one strain, suitable to their homely instruments, and to their simple invention. The Arabebbah, as they call the bladder and string, is in the highest vogue, and doubtless of great antiquity ; as is also the Gasaph, which is only a common reed, open at each end, having the side of it bored, with three or more holes, according to the ability of the person who is to touch it : though the compass of their tunes rarely or never exceed...s an octave. Yet sometimes, even in this simplicity of harmony, they observe something of method and ceremony ; for in their historical Cantatcu especially, they have their preludes and symphonies ; each stanza being introduced with a flourish from the Arabebbah, while the narration itself is accompanied with the softest touches they are able to make, upon the Gasaph. The Tarr, another of their instruments, is made like a Sive, consisting (as Isidore describeth the Tym- panum) of a thin rim, or hoop of wood, with a skin of parch- ment stretched over the top of it.
What to read after The Poetical Works of Robert Southey?
You can find similar books in the "Read Also" column, or choose other free books by Southey Robert to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
— P. 94.
The music of the Bedoweens rarely consists of more than one strain, suitable to their homely instruments, and to their simple invention. The Arabebbah, as they call the bladder and string, is in the highest vogue, and doubtless of great antiquity ; as is also the Gasaph, which is only a common reed, open at each end, having the side of it bored, with three or more holes, according to the ability of the person who is to touch it : though the compass of their tunes rarely or never exceed...s an octave. Yet sometimes, even in this simplicity of harmony, they observe something of method and ceremony ; for in their historical Cantatcu especially, they have their preludes and symphonies ; each stanza being introduced with a flourish from the Arabebbah, while the narration itself is accompanied with the softest touches they are able to make, upon the Gasaph. The Tarr, another of their instruments, is made like a Sive, consisting (as Isidore describeth the Tym- panum) of a thin rim, or hoop of wood, with a skin of parch- ment stretched over the top of it.
What to read after The Poetical Works of Robert Southey?
You can find similar books in the "Read Also" column, or choose other free books by Southey Robert to read onlineMoreLess
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