The Practice And Science of Drawing ... With 93 Illustrations And Diagrams
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In our eReader you can find the full English version of the book. Read The Practice And Science of Drawing ... With 93 Illustrations And Diagrams Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Practice And Science of Drawing ... With 93 Illustrations And Diagrams
What reading level is The Practice And Science of Drawing ... With 93 Illustrations And Diagrams book?
To quickly assess the difficulty of the text, read a short excerpt:
220 BALANCE "We have seen how the Greeks balanced the straight lines of their architectural forms with the rich lines of the sculpture which they used so lavishly on their temples. But the balance was always kept on the side of the square forms and never on the side of undue roundness. And it is on this side that the balance would seem to be in the finest art. Even the finest curves are those that approach the straight line rather than the circle, that err on the side of flatnesses rather than ...roundnesses.
What has been said about the balance of straight lines and curves applies equally well to tones, if for straight lines you substitute flat tones, and for curved lines gradated tones. The nafand deeper, more permanent things find ex- Gradated pression in the wider, flatter tones, while an excess of gradations makes for prettiness, if not for the gross roundnesses of vicious modelling.
Often when a picture is hopelessly out of gear and "mucked up," as they say in the studio, it can be got on the right road again by reducing it to a basis of flat tones, going over it and painting out the gradations, getting it back to a simpler equation from which the right road to completion can be more readily seen.
What to read after The Practice And Science of Drawing ... With 93 Illustrations And Diagrams?
You can find similar books in the "Read Also" column, or choose other free books by Speed Harold to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
220 BALANCE "We have seen how the Greeks balanced the straight lines of their architectural forms with the rich lines of the sculpture which they used so lavishly on their temples. But the balance was always kept on the side of the square forms and never on the side of undue roundness. And it is on this side that the balance would seem to be in the finest art. Even the finest curves are those that approach the straight line rather than the circle, that err on the side of flatnesses rather than ...roundnesses.
What has been said about the balance of straight lines and curves applies equally well to tones, if for straight lines you substitute flat tones, and for curved lines gradated tones. The nafand deeper, more permanent things find ex- Gradated pression in the wider, flatter tones, while an excess of gradations makes for prettiness, if not for the gross roundnesses of vicious modelling.
Often when a picture is hopelessly out of gear and "mucked up," as they say in the studio, it can be got on the right road again by reducing it to a basis of flat tones, going over it and painting out the gradations, getting it back to a simpler equation from which the right road to completion can be more readily seen.
What to read after The Practice And Science of Drawing ... With 93 Illustrations And Diagrams?
You can find similar books in the "Read Also" column, or choose other free books by Speed Harold to read onlineMoreLess
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