The Press: a Halloween Short Story

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Even Brendan O’Neill, who was loved by authors everywhere for his emollient reviews in the Cork Examiner, had called Rossa “a foul temper on legs.”   Rossa’s last work All Hallows Eve was published in 1997 and was little more than a splenetic rant about the way in which the Irish had allowed the rest of the world to turn a sacred Celtic ritual dating back to the 5th century into a “cash cow for the makers of plastic pumpkins and Hallmark Cards.”  “It was one thing to turn our folk music into fid...dle-de-dee for the tourist trade, and our magical beliefs into garden gnomes. But by allowing the commercialization of Halloween we have dragged the souls of our dead ancestors out of the eternal shadows and hung them up in the common light of the marketplace for every inquisitive passer-by to finger.”  When it was published two weeks before Halloween, Rossa’s book was widely excoriated in the book pages of the Irish Times and several other newspapers and magazines for being “a saliva-spraying welter of Celtic superstition and Druidic mumbo-jumbo by a man who seems to believe that ‘fun’ is a notifiable disease.”  You no doubt remember, though, that five of the reviewers who gave Rossa such critical notices disappeared on the night of All Hallows’ Eve, and no trace of them was ever found.

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