The Psychology of Singing

Cover The Psychology of Singing
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In the attempt to obtain some hold on his voice he 'reaches'for his tones with his throat muscles. The more he tries to regaincontrol of the runaway breath the worse does his state become. " This extreme condition of throat stiffness is unfortunately by no meansrare. So far as concerns the sympathetic sensations awakened by thiskind of singing the condition is graphically described by thebreath-control advocates. But the conclusion is entirely unjustifiedthat this condition indicates the lack o...f breath-control. Only thepreconceived notion of breath-control leads to this inference. Thesympathetic sensations indicate a state of extreme muscular tension ofthe throat; this is about the only possible analysis of the condition.
* * * Empirical impressions of vocal tones determine the character of mostpresent-day instruction in singing. This means no more than to say thatthroughout all vocal training the teacher listens to the pupil's voice. The impressions of tone received by the teacher's ear cannot fail toinform the teacher of the condition of the pupil's throat in producingthe voice.


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