The Renaissance of the Vocal Art
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In our eReader you can find the full English version of the book. Read The Renaissance of the Vocal Art Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Renaissance of the Vocal Art
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Itmust always be influenced indirectly through the movements we advocate, through the true position and action of singing. In this way are securedopen throat, freedom of voice, all true conditions. In this way the tonemay be placed by impulse, by flexible action, may be started high andinstantly reflected into the inflated cavities. This means perfect poise ofvoice; it means the focus of the tone high and forward with the sympatheticadded vibration of the low cavities and especially of the ches...t. This isthe only true placing of voice, --the combination of head and chestresonance through automatic form and adjustment. A tight throat throughlocal, muscular effort makes these conditions impossible.
The true resonance-chamber then, as we have found, is from head to chest;sympathetically the resonance of the entire body must be added. The trueartist sings with the body, through the throat, and never with the throat. In this way the entire singer is the instrument. Fill the body with sound.
What to read after The Renaissance of the Vocal Art?
You can find similar books in the "Read Also" column, or choose other free books by Myer Edmund to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Itmust always be influenced indirectly through the movements we advocate, through the true position and action of singing. In this way are securedopen throat, freedom of voice, all true conditions. In this way the tonemay be placed by impulse, by flexible action, may be started high andinstantly reflected into the inflated cavities. This means perfect poise ofvoice; it means the focus of the tone high and forward with the sympatheticadded vibration of the low cavities and especially of the ches...t. This isthe only true placing of voice, --the combination of head and chestresonance through automatic form and adjustment. A tight throat throughlocal, muscular effort makes these conditions impossible.
The true resonance-chamber then, as we have found, is from head to chest;sympathetically the resonance of the entire body must be added. The trueartist sings with the body, through the throat, and never with the throat. In this way the entire singer is the instrument. Fill the body with sound.
What to read after The Renaissance of the Vocal Art?
You can find similar books in the "Read Also" column, or choose other free books by Myer Edmund to read onlineMoreLess
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